electronic translators, electrical exam prep, scanners, spy gadgets, dvr, hidden cameras, weather radios
Bookmark and Share
Products Articles  Book Reviews  Brainpower Newsletter Contact Us      Home  Search

 

This page is the original source of this review, though you may also find it on Amazon or other sites.

Book Reviews Home   Free Audio Books

Book Review of: Open Brand

When Push Comes to Pull in a Web-Made World

Price: $16.49
List Price: $24.99
You save: $8.50 (34%)

Availability: Usually ships within 24 hours
Click on the image to order or find more books like this.

Review of Open Brand, by Kelly Mooney and Nita Rollins, PhD (Paperback, 2008)

(You can print this review in landscape mode, if you want a hardcopy)

Reviewer: Mark Lamendola, author of over 6,000 articles.

Anyone who is involved in marketing, product development, sales, public relations, or customer service should read this book.

Traditionally, companies have developed their message and pushed it out to their customers--this is push marketing. Companies would push demand through the sales channels. So, the various efforts were company-driven: product development, marketing, sales, and customer service, to name a few.

Today, the marketing model is increasingly a pull model. Customers pull demand through the various channels. And not just to the companies--but to a vast network of other people. This massive customer communication puts customers, not companies, in the driver's seat. If marketing is a show, the audience of customers now controls the stage. This is why a book like The Open Brand matters.

The book consists of four Parts. Part One consists of three chapters. These focus on the concept of "Open." The author has an acronym:

  • O: On-demand.
  • P: Personal.
  • E: Engaging.
  • N. Networked.

These describe today's marketing environment. While customers are empowered due to online tools such as Instant Messaging, e-mail, blogs, and communities, the effects of their communications reach well beyond the online world into every nook and cranny of the offline world as well.

Part II discusses the iCitizen. The power of the consumer is far different from what it was a few years ago. What is this power, and how did the iCitizen end up with it? Who are iCitizens? Who has more influence--a few celebrities, or thousands of regular people who all have a voice? Part II answers these questions and more. It also explains how and why the iCitizen can be both the medium and the message.

Part III explains the response to the iCitizen. It presents a strategic framework that allows a company to make sense of Part I (the social Web) and Part II (the iCitizen). It discusses the two trends that, more than any others, anchor the open brand framework:

  1. The emergence of consumer notoriety. This is in stark contrast to what has historically been consumer anonymity with regard to brands (and the world). Now consumers can be highly visible, almost instantly. The implications are profound.
  2. The emergence of creative production. This is in stark contrast to simple, uncritical consumption. Today, we have a dazzling array of engaging online activities that didn't exist just a few years ago. Someone writes a blog or releases a video, and a viewpoint (good or bad) can easily go viral.

Part IV is titled "Getting to Open." It's based on what the authors call "The Four OPEN Experiences." Different people experience the Web in different ways. The authors classify these as:

  1. Collectively inclined icitizens believe "I connect."
  2. Cultural change agents believe "I am."
  3. Digital competence seekers believe "I can."
  4. Celebrity-motivated icitizens believe "I matter."

Do you know which group (or experience) has the most power? The answer may surprise you, and that's OK. What's not OK is not learning the answer and doing something about it. What you do, exactly, depends on several interdependent factors. Part IV addresses those.

When you're done reading this book, you'll have an understanding of who is really driving many of the choices companies make. More importantly, you'll have a framework for developing a suitable response with long-term viability.

The book has an appendix with a glossary, acknowledgements, and index.

 

This page is the original source of this review, though you may also find it on Amazon or other sites.

Book Reviews Home   Free Audio Books

 

 

 

About these reviews

You may be wondering why the reviews here are any different from the hundreds of "reviews" posted online. Notice the quotation marks?

I've been reviewing books for sites like Amazon for many years now, and it dismays me that Amazon found it necessary to post a minimum word count for reviews. It further dismays me that it's only 20 words. If that's all you have to say about a book, why bother?

And why waste everyone else's time with such drivel? As a reader of such reviews, I feel like I am being told that I do not matter. The flippancy of people who write these terse "reviews" is insulting to the authors also, I would suspect.

This sound bite blathering taking the place of any actual communication is increasingly a problem in our mindless, blog-posting Webosphere. Sadly, Google rewards such pointlessness as "content" so we just get more if this inanity.

The reviews I do will, contrary to emerging trends, actually tell you about the book. I always got an "A" on a book review I did as a kid (that's how I remember it anyhow, and it's my story so I'm sticking to it). A book review contains certain elements and has a logical structure. It informs the reader about the book.

A book review may also tell the reader whether the reviewer liked it, but revealing a reviewer's personal taste is not necessary for an informative book review.

About your reviewer

  • Books are a passion of mine. I read dozens of them each year, plus I listen to audio books.
  • Most of my "reading diet" consists of nonfiction. I think life is too short to use your limited reading time on material that has little or not substance. That leads into my next point...
  • In 1990, I stopped watching television. I have not missed it. At all.
  • I was first published as a preteen. I wrote an essay, and my teacher submitted it to the local paper.
  • For six years, I worked as an editor for a trade publication. I left that job in 2002, and still do freelance editing and authoring for that publication (and for other publications).
  • No book has emerged from my mind onto the best-seller list. So maybe I'm presumptuous in judging the work of others. Then again, I do more describing than judging in my reviews. And I have so many articles now published that I stopped counting them at 6,000. When did I stop? Probably another 6,000 articles ago! (It's been a while).
  • I have an engineering degree undergrad and an MBA. That helps explain my methodical approach toward reviews.
  • You probably don't know anybody who has made a perfect or near perfect score on a test of Standard Written English. I have. So, a credential for whatever it's worth.

About reading style

No, I do not "speed read" through these. That said, I do read at a fast rate. But, in contrast to speed reading, I read everything when I read a book for review.

Speed reading is a specialized type of reading that requires skipping text as you go. Using this technique, I've been able to consistently "max out" a speed reading machine at 2080 words per minute with 80% comprehension. This method is great if you are out to show how fast you can read. But I didn't use it in graduate school and I don't use it now. I think it takes the joy out of reading, and that pleasure is a big part of why I read to begin with.

Articles | Book Reviews | Free eNL | Products

Contact Us | Home

This material, copyright Mindconnection. Don't make all of your communication electronic. Hug somebody!