Art Glossary
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If you're a little mystified about art terms, don't feel alone! This art glossary will
help you with some of the common art terms out here. And since you are interested in some
art knowledge, we also provide you with a way to buy art. You'll probably just want to
browse, so you can apply your new-found knowledge about art. Well, that's OK, too.
This is just a sampling of some terms you might want to know. It'll get you started,
and it sure beats wading through a massive reference text. Ugh.
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Art Glossary: A
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| Abbozzo.
Think of this as a sketch or outline. It's really the "underpainting." An
abbozzo is in a single color. The idea behind it is to show a piece's general composition.
It's a planning tool. Absidiole. This
is a form of abstract art. It may represent nothing at all, or it may represent
something--but without reference to the original source. You're supposed to read patterns
as independent relationships.
Abstract Expressionism. This art style was
prominent for about one generation. With its roots in New York, it started in World War II
times and ended in the Korean War times. You may have heard of surrealism? The
leaders of that movement lived in the U.S. (in exile) during World War II. AE was a
mix of surrealism and some other concepts--notably expressionism. The influence of
American culture is heavy in this form of art. The two main categories of AE are iconic
and calligraphic.
Academic art. In the 17th through 19th centuries, academies
of painting and sculpture had official status in Europe. They also had a high degree of
control over what was "acceptable art." So, art in compliance with the standards
set by these academic institutions is academic art.
Academy of art. We figured you'd want to
know this if you read the previous definition! AAs were institutions that sprang from the
many associations artists formed during the Renaissance. These institutions were,
effectively, part of a revolt against the medieval Guild system--which artists felt
oppressed them and their work. Under the Guild system, they weren't painters or sculptors,
but just artisans--a term that conferred about much status as blacksmith. The
academies were a way for artists to show they were highly educated professionals with a
comprehensive theory of art and technical skill. The academies provided standards
and status--both of which the artists of the time found very attractive.
Academy figure. This a drawing or painting the female or male
nude, done as an exercise by a student of one of the academies. Now that you know this,
you won't overpay for one of these, based on the idea they must be very good if they have
that "academy" label attached. Think of your barber school haircut. |
-B-
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| Balance. This is
just what it says it is. You're looking for things to "add up" in an artwork,
for equal amounts of yin and yang, etc. Think in terms of equilibrium. Look for a center
point or axis. And think of a seesaw. Part of the beauty of art is you can see the math
behind it, if it follows convention. So, a small figure far from the axis would balance
out a large figure close to the axis--just as a child at the end of a see saw would
balance out an adult near the fulcrum. Only, in art, you must balance more than physical
weight or size. For example, you must balance color and "depth." And you deal
with balance of abstract to non-abstract. Bear in mind, balance is not always the goal of
an artwork. Sometimes, imbalance is the goal, because it highlights some theme or message
by increasing its "weight" or importance. Baldachin. This was originally a cloth canopy, or baldachino,
supported by four poles--one at each corner. That's a simple configuration, and the
definition grew to include any architectural canopy in one of several forms--including
suspended from above.
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-C-
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| Cameo. A gemstone
whose layers have different colors molded or carved such that one color stands out in
relief against another. The gemstone may be made of shell, glass, or ceramic. Camera lucida. An art tool that uses a prism to concentrate and
project light onto paper (or some other surface) so you can trace the resulting image.
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-D-
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| Deinos (or dinos).
A wide-mouthed vase with no handles. The vase is for mixing water and wine, and the more
elaborate ones may have matching stands. Desco da parto.
You may see these in medieval paintings. The literal translation is "birth
plate," and the desco da parto is simply a decorated tray. Medieval Italians used
these trays to bring small gifts--such as pastries--to new mothers.
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-E-
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| Earth Art. Works
of art that use natural materials such as earth. The phrase, very popular in the 1960s,
came to mean any art that used terrain for materials. And that would include such things
as rocks and snow. Earth colors.
These are really "Earth pigments," because the phrase refers to the pigments
themselves, not their colors. The pigments exist naturally in earthen soil, and are often
metallic oxides. Chemically, these are the most stable of all pigments--least likely to
change with age. The colors are usually brown or yellow.
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-F-
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| Face-painting.
Just an old synonym for portrait painting. Fanlight.
A fan-shaped window over a door--it lets light in. The window is fan-shaped because of
both its semicircular shape and the glazing bars that resemble the spokes of a fan.
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-G-
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| Gable. The
triangular upper part of a wall closing the end of a ridged roof. Gadrooning. Lobed decoration consisting of
convex curves. You'll usually see gadrooning on a surface curved in more than one
plane--such as embossed bronze.
Galilee. A one-story porch or chapel at the
entrance of a church house.
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-H-
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| Hallmark. An
official mark stamped on a piece of gold or silver as a guarantee that it conforms to a
certain standard of purity. The main mark is that of the appropriate Assay Office
(indicated by a symbol, e.g. a leopard's head for London), others showing the precise
standard of fineness, the maker and the date. Hamam (or
hammam). The Arabic word for "bath." A real hamam, or Turkish bath, is generally
large and heated from underneath. It has three sections: the camekan (dressing room),
hararet (steam room), and sogukluk (antechamber).
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-I-
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| Icon.
A painting, mosaic, or enamel representation of a religious figure. In Greek and
Russian Orthodox Catholicism, the artist follows a strict set of rules for making the
artwork. Other religions tend not to have these restrictions. Iconoclast art. A type of art--without religious figures--created
during the reigns of Leo III and a string of his successors (AD 730-843). These rulers
banned religious figures.
Iconography. The systematic investigation
of subject matter, rather than style. |
-J-
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| Jacobean Style.
England's King James I is probably best-known for the King James Bible (1611). During his
reign of 1603-1625, however, he had additional influence--on architecture and decoration
prevalent. The look is coarse, but employs elaborate woodcarving and plasterwork. Jacobethan. A mix of Jacobean and Elizabethan art styles. Imitations
were popular in the 19th Century.
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-K-
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| Kachina
doll. A carved wooden doll. The North American Indians used these to represent
supernatural beings. These people used Kachina dolls both to teach children about spirits
and to perform fertility rites. Kalathos. A basket made
of some material other than wicker, but representing a wicker basket nonetheless.
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-L-
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| Lacquer Ever
wonder what lacquer really is? Well, it's an extremely hard, waterproof varnish. Shellac
is a kind of lacquer. Lampas. A special, heavy cloth.
In the 18th Century, lampas appeared in high-quality silk upholstery. |
-M-
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| Magic Realism (or
sharp-focus realism). German art critic Franz Roh coined this phrase in 1924 to describe
the less expressive (and more conservative) element of the neue sachlichkeit. Magot. Cheap, ugly wares from China or
Japan.
MahIstick. A long stick a painter uses to
support his/her brush-holding hand.
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-N-
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| Nailhead.
A small architectural ornament (often for a molding) shaped like a series of pyramids.
Naive art. A condescending reference to untrained 20th
Century painters.
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-O-
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| Obelisk. A single
tapering rectangular block of stone. The movie 2001: A Space Odyssey had obelisks
as a central part of the story. Obelisks are were prominent in Ancient Egypt, as
monuments. Objet d'art. French for
"art object." The phrase usually refers to small, exquisite, and decorative art.
Objet trouve. French for "found
object." An artist finds something, hardly does a thing to it, and presents it as
either part of a work of art or a piece of art in its own right.
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-P-
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| Palette. A small,
usually wooden or plastic tray that holds an painter's colors. Palimpsest. A writing (parchment, slab, or brass sheet) with the
original text removed or hidden to allow a new text to be placed on it. |
-Q-
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| Quadrature. A
class of painted mural decorations depicting architectural subjects. Quarry. A small square glass pane.
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-R-
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| Rail. A wooden
strip fixed to the wall as protection at chair-back height (dado rail or chair rail); or
horizontal framing in a paneled door (or wall paneling); or the front piece of the
seat-frame on a chair (seat-rail). Raising.
Making a cup or container shape from a metal sheet by hammering it into shape over a
wooden block.
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-S-
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| S-curve. Any
serpentine line in art. The phrase often refers to the shape formed by figures in gothic
sculpture, with their hips thrust forward or to one side. Saddle
bar. A horizontal bar that holds a pane in a window.
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-T-
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| Table. The artist
does not mean a dining table! The word can refer to a picture painted on panel. Tachisme. The French art critic Charles
Estiennie, in the early 1950s, started using this word to characterize abstract painting
where the artist applied the color in blots or stains.
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-U-
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| Ukiyo-e.
These Japanese pictures (17th to 19th centuries) celebrated the culture of the Yoshiwara
(brothel) quarter of Edo (Tokyo). Geishas were favorite subjects, but so were landscapes
and scenes from historical legends, epics, and folktales. Uncial. This is a type of calligraphy, introduced in the 4th century
AD. The letters look much like Roman capitals, but with rounded--instead of sharp--angles.
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-V-
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| Vanishing point in
perspective. The point towards which a set of lines appear to converge, though
they are really in parallel to each other. Vanitas.
From the Latin for "'vanity."' These are still-life paintings--often featuring a
skull--that try to remind the viewer of how temporary human life really is. In the 17th
Century, these paintings were very popular in Holland.
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-W-
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| Wainscot.
Interior paneling in wood. Waldglas.
Utilitarian glass (usually pale green) made in the late Middle Ages in Bohemia and
Germany.
Wall plate. A beam running along the top
of a wall to support the roof joists.
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-X-
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| X-height.
Printing lingo for the height of the lowercase letters of a given font or typeface.
Xylography. Wood engraving.
Xystus. An open colonade.
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-Y-
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| Yamato-e. The
Japanese naturalistic narrative style of painting (circa, 10th century). Yantra. A geometric diagram Buddhist mystics
use for focusing during meditation.
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-Z-
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| Zenga. Japanese
paintings (in ink) characterized by their boldness and spontaneity. Zwischengoldglas. This is German for "gold and glass
sandwich." The art is glass formed of two layers that sandwich a decoration in gold
leaf.
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